La Pobreza Desde Los Pobres

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Escritos en francés, estos Diarios de un revolucionario —que ahora publicamos por primera vez en español— abarcan en gran parte la etapa mexicana, aunque también incluyen fragmentos de la segunda mitad de los años treinta. Poseen un enorme valor, no solamente porque ofrecen una suerte de bitácora de la vida del escritor y revolucionario francorusobelga, sino porque contienen una mina de reflexiones utilísimas acerca de la Unión Soviética, la disidencia, la evolución de la guerra, la vida cultural y política de México, así como sobre la precaria situación de los refugiados...

Los chistes contra Franco, la vida entre boinas de la Falange y de los requetés, la jauja del estraperlo, la historia del guante de Gilda, que turbaba multitudes... Incluso en medio de un régimen con tan poco sentido del humor como el franquista la risa era posible. Junto a Gabriel Cardona, retornaremos a lacrimógenos seriales que ahora sólo nos provocan sonrisas, y reviviremos, siempre en clave de humor, la Transición, cuando una mano anónima se permitía hacer guasa reescribiendo pintadas pretendidamente ofensivas contra Santiago Carrillo y las revistas de humor pudieron abandonar,...