Canciones de lejos

¿Tocar el piano es tu asignatura pendiente? Este libro te lo enseña de un modo tan fácil y divertido que tus dedos dominarán el teclado casi sin que te des cuenta. Si no sabes leer música, el método Para Dummies te explica la teoría musical con un lenguaje claro y directo y te enseña a aplicarla a la interpretación de piano. Y si ya tienes alguna idea de piano, o tomaste clases cuando eras pequeño pero no has vuelto a abrir la tapa, también encontrarás ejercicios y consejos para refrescar tu memoria o mejorar tu ejecución. • El dichoso Para Elisa de las llamadas en espera —...

Enrico Zullino's Transcription of "Il Barbiere di Siviglia" Overture for String Quartet (Violin II Part). Immerse yourself in the captivating world of opera with Enrico Zullino's masterful transcription of Gioacchino Rossini's "Il Barbiere di Siviglia" (The Barber of Seville, or The Useless Precaution) overture. This edition focuses on the Violin I part, intricately transcribed for a string quartet ensemble, including Violin II, Viola, and Cello. Perfect for intermediate to advanced level players, this piece offers a rich, engaging experience for both performers and audiences alike. Key...

The year was 1966. While the young people lived during the most epic time in London, a group caused a sensation: Syd Barrett, Roger Waters, Rick Wright and Nick Mason played blues rock like nobody else. After a few months they recorded their first singles: "Arnold Layne" / "Candy And A Currant Bun" and "See Emily Play" / "Scarecrow" and then, their first album: The Piper At The Gates Of Dawn. The prodigious career of Pink Floyd had begun.

Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as...