Sesenta millones de romanos

Durante la colonia fueron utilizados infinidad de términos para denominar las distintas mezclas fruto del mestizaje entre los indígenas, africanos y españoles. Desde el siglo xvi se acuñaron términos como mestizo , mulato, zambo, pardo . Además de éstos, un sinfín de nombres de resonancia más local fueron multiplicándose con el paso de los siglos, como moreno, ochavón, albino , cambujo, lunarejo, notentiendo, saltatrás, entre otros. Este complejo vocabulario fue una herramienta utilizada, en especial, para clasificar a las poblaciones subordinadas, pero, así mismo, su...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This study offers a profound study of Arrufat's play, using most recent critical trends concerning the performance aspect of the drama. It examines the genre of the drama and its relationship to the phenomenon of the Cuban Revolution, Arrufat as a Cuban playwright of the 60s and his re-writing of the Greek theme of the fratricidal fight in Aeschylus' Seven Against Thebes. Also contains a recent interview with Arrufat in which he describes the social circumstances surrounding the play and some of his classical re-writing techniques.