Hace días que llueve mierda

Milena, una exagente judicial, recibe su primer caso como detective privada: Eloísa, fotógrafa de guerra y activista, desapareció sin dejar rastro y su amante, un empresario millonario, está dispuesto a todo para localizarla. No hay rastros de la fotógrafa y nadie pide rescate; las sospechas apuntan a su pareja oficial: un senador de la república que aparentemente no se ha enterado de su ausencia. Experta en criminología y entrenada en Israel, la investigadora traza un meticuloso plan para resolver el caso, sin imaginar que esto le permitirá ajustar cuentas con un siniestro personaje...

Oscar takes the city subway often and for months he has seen a girl who is always drawing on a yellow notebook. He is intrigued by the notebook, her eyes, how she holds the pencil and what he feels every time they pass each other without saying anything... Valentina has drawn a multitude of strangers, but there is one that is special to her, a boy she calls the boy with glasses. They both don't know each other and have no possibility of meeting... and yet they both feel that they are joined by an invisible thread.

"Quien con monstruos lucha, cuide a su vez de convertirse en monstruo. Cuando miras por largo tiempo a un abismo, el abismo también mira dentro de ti." -F. Nietzsche- Número de Registro Público del Derecho de Autor: 03-2018-092610063600-01

A complex relationship and reckless alcohol consumption lead Carrère to a period of crisis; he found refuge in Christianity. Twenty years later, he conducts a wide search on the origins of Christianity in relation to the writings of Paul, along with the gospel of Luke, one of the Evangelist of the new faith that begun with a small Jewish sect.