El Castillo de San Severino: im‡genes de historia

En esta obra se realiza una recopilación facsímil de las cartas publicadas en 1848 por la colección semanal madrileña Biblioteca para todos, que se cruzaron en el período 1842-1847 entre los protagonistas del asunto conocido en la diplomacia europea del segundo tercio del siglo XIX como los matrimonios españoles. Este conflicto fue más allá de la solución a una cuestión que afectaba a la vida privada de Isabel II de España, para convertirse en una lucha de poder entre Francia y Gran Bretaña como potencias europeas dominantes. La posición de los gobiernos españoles y de nuestro...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Para promover la devoción a las ánimas y popularizar en Europa los dogmas del purgatorio, las indulgencias y los sufragios como medio de salvación, desde el siglo XV hasta el XVII la iglesia tridentina y postridentina se apoyó en unos sencillos relatos, anónimos en su mayoría, denominados ejemplos e exempla.